Ella Es Histortia

Victoria, Tomás Luis de

(b Avila, 1548; d Madrid, 20 Aug 1611). Spanish composer and organist partly active in Italy. He was not only the greatest Spanish Renaissance composer but also one of the greatest composers of church music of his day in Europe, who has been admired above all for the intensity of some of his motets and of his Offices for the Dead and for Holy Week.

1. Life.

Victoria was the seventh of 11 children born to Francisco Luis de Victoria and Francisca Suárez de la Concha, who were married in 1540. There were important relatives on both sides of the family. For example, three of his Suárez de la Concha cousins achieved success, Cristóbal as a naval commander, Hernando as a Jesuit pioneer in Mexico and Baltasar as a merchant in Florence, where he married Grand Duke Cosimo I de’ Medici’s sister-in-law and was ennobled. The uncle on his father’s side after whom Victoria was named was a lawyer who pleaded cases before the royal chancery at Valladolid; he entered the priesthood after his wife’s death and in 1577 was installed as a canon of Avila Cathedral. Victoria’s father died on 29 August 1557, and another uncle, Juan Luis, who was also a priest, took charge of the orphaned family.

Victoria learnt the rudiments of music as a choirboy at Avila Cathedral under the maestros de capilla Gerónimo de Espinar (1550–58) and Bernardino de Ribera (1559–63); Ribera and his successor, Juan Navarro (i), were among the leading Spanish composers of their time. The cathedral organists during this period were Damián de Bolea and Bernabé del Aguila. Victoria may also have known Cabezón, who played at the cathedral in November 1552 and again in June 1556; Cabezón’s wife came from Avila, and their family residence from about 1538 to 1560 was not far from Victoria’s. Victoria’s classical education probably began at S Gil, a school for boys founded at Avila by the Jesuits in 1554. The school enjoyed a good reputation from the beginning, and St Teresa of Avila insisted that her nephews attend it; in April 1557 St Francisco de Borja visited Avila to inspect it and to encourage other Jesuit establishments in the town.

After his voice had broken, Victoria was sent to the Jesuit Collegio Germanico, Rome, which had been founded in 1552. He may have been enrolled by 25 June 1563, though 1565 is a more probable date (see Casimiri). The 200 students at the college were of two kinds, a small group of young men in training for the German missionary priesthood and a much larger number of English, Spanish and Italian boarders, whose fees helped maintain the college; Victoria was among the latter group and was specifically enrolled as a singer. Here, if not already at S Gil, he achieved fluency in Latin. In the dedication of his first collection of motets (1572) he acknowledged his debt to Otto Truchsess von Waldburg, Cardinal-Archbishop of Augsburg, who with King Philip II had been a chief benefactor of the college. Victoria surely knew Palestrina, who at the time was maestro di cappella of the nearby Seminario Romano, and may even have been taught by him. He was the only peninsular composer before Manuel Cardoso to master the subtleties of Palestrina’s style, as is evident in even his earliest publications.

For at least five years from January 1569 Victoria was singer and organist at S Maria di Monserrato, the Aragonese church at Rome in which the two Spanish popes are buried; his monthly salary was one scudo. From 1568 to 1571 he may also have been maestro of Truchsess’s private chapel (Jacobus de Kerle had left the post by 18 August 1568). In September or October 1571 the rector of the Collegio Germanico engaged him to teach music to interested boarders at a monthly salary of 15 julios paid out of students’ fees. In 1573 the college authorities decided to separate the Italian boarders from the German seminarians, and on 17 October a parting ceremony was held, during which Victoria’s pupils and others sang his specially composed eight-part psalm Super flumina Babylonis. After the reorganization he was retained to teach the German seminarians, with whom he was able to converse in Latin, and was appointedmaestro di cappella. The new rector, Michele Lauretano, paid him two scudi a month, increased to three in April 1574. On 9 January 1574 Pope Gregory XIII gave the Collegio Germanico the Palazzo di S Apollinare as their new home and on 15 April 1576 the adjoining church. A bull of the latter date prescribed that the student body sing the entire Office on at least 20 days of the church year. Victoria continued as maestro di cappella of the Collegio Germanico until 26 December 1576 or possibly a few months longer – his successor was in office by 20 September 1577. In 1575 he graduated from minor orders to the priesthood: Bishop Thomas Goldwell, the last surviving member of the pre-Reformation English hierarchy, ordained him deacon on 25 August and priest three days later. The ceremonies took place at the English church on the Via di Monserrato.

Victoria next joined the Congregazione dell’Oratorio, a newly formed community of lay priests led by Filippo Neri, and on 8 June 1578 he received a chaplaincy at S Girolamo della Carità, which he held until 7 May 1585. During these years he published five sumptuous volumes in folio, one each of hymns, Magnificat settings and masses, an Office for Holy Week and an anthology of motets; the last-named contained two motets by Francisco Guerrero, who was a personal friend, and one by Francesco Soriano. From 1579 to 1585 he derived his personal income largely from five Spanish benefices conferred by Gregory XIII (S Miguel at Villalbarba, S Francisco and S Salvador at Béjar, S Andrés at Valdescapa and another rent in the diocese of Osma), which produced a total of 307 ducats a year. While a chaplain at S Girolamo della Carità, and even earlier, he further increased his income by occasionally serving at S Giacomo degli Spagnoli. Each year from 1573 to 1577 this church paid him four scudi for Corpus Christi services; in 1579 he received six scudi and 60 baiocchi and in 1580 nine scudi and 60 baiocchi; on 18 November 1582 he and a number of choristers received nine scudi for celebrating the victory by Spanish naval forces at the Battle of Terceira, in the Azores. In 1583 he was elected to the office of visitor to the sick and Spanish destitute in Rome, who were under the charitable care of the Confraternity of the Resurrection. Founded in 1579, this confraternity, attached to the church of S Giacomo, subsidized the celebration of the twice-yearly Forty Hours Devotion, and paid for Easter services. Victoria's disbursements to the sick and needy were reimbursed 23 times during the time that he was visitor to the sick (19 April 1583–3 April 1584). On two occasions, 31 October 1583 and 8 March 1584,

...