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Rao English


Enviado por   •  17 de Noviembre de 2013  •  661 Palabras (3 Páginas)  •  232 Visitas

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Well I’m going to talk about the rap. Everybody ask me why do I like rap? And I answer that my grandparents were born in Dominican Republic and they liked the rap and they made a music improvisation in group between in friends.

When I just to be a child my grandpa taught me all about rap and now I explain something about the rap.

Well the genre rap consisting of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. It developed as part of hip hop culture, in the World there are people that confused the rap with the hip-hip is not the same but in something’s cases the term hip-hop music is sometimes used synonymously with the term rap music, though rapping is not a required component of hip-hop music; the genre may also incorporate other elements of hip-hop culture, including DJing and scratching, beat boxing, and instrumental tracks.

The origins of rap much like dub music, hip hop as a DJing form started with no vocals and was purely of an electronic nature. However, the roots of spoken hip hop music are found in African-American music and ultimately African music, particularly that of the griots of West African culture. The African-American traditions of signifying', the dozens, and jazz poetry all influence hip hop music, as well as the call and response patterns of African and African-American religious ceremonies. Soul singer James Brown, and musical 'comedy' acts such as Rudy Ray Moore and Blowfly are often considered "godfathers" of hip hop music.

Within New York City, performances of spoken-word poetry and music by artists such as The Last Poets, Gil Scott-Heron and Jalal Mansur Nuriddin had a significant impact on the post-civil rights era culture of the 1960s and 1970s, and thus the social environment in which hip hop music was created.

Hip hop as music and culture formed during the 1970s when block parties became increasingly popular in New York City, particularly among African American and Latino youth residing in the Bronx. Block parties incorporated DJs who played popular genres of music, especially funk and soul music. Due to the positive reception, DJs began isolating the percussion breaks of popular songs. This technique was then common in Jamaican dub music. Because the percussive breaks in funk, soul and disco records were generally short, DJ Kool Hercand other DJs began using such techniques with two turntables to extend the breaks. (Wikipedia)

It was in the later 2000s that alternative hip hop finally secured a place within the mainstream, due in part to the declining commercial viability of gangsta rap as well as the crossover success of artists such as OutKast, Kanye West, and Gnarls Barkley. Not only did OutKast's Speakerboxxx/The Love Below receive high acclaim from music critics, manage to appeal to listeners of all ages, and span

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