Pink Pelicula Wall
Enviado por bagdadito • 28 de Mayo de 2014 • 651 Palabras (3 Páginas) • 283 Visitas
Rose, Phil 2002: Which One’s Pink? An Analysis of the Concept Albums of Roger Waters and Pink
Floyd. Burlington, Ontario: Collector’s Guide Publishing.
Phil Rose’s 2002 analysis Which One’s Pink? Rose concentrates his argument on Pink’s individual
psyche, on how it goes to the extremes of narcissism, obsession and schizophrenia until
it expels the ‘bad objects’ he had previously incorporated and is finally able to establish
normal relationships with others.11 The present study transcends this confinement to
the private sphere of Pink’s mind to offer a detailed analysis of how the protagonist’s
predicament equals the Nation’s predicament.
The Wall refers to and is part of this historical scenario, in which we find Pink,
clearly Roger Waters’ fictional surrogate, placed at the very beginning of the cinematic
story-line and in the present dimension of the cinematic discourse. The film starts with
a slow and smooth ‘travelling’ through an aseptic and uniform hotel corridor towards
the figure of a cleaning lady preparing her vacuum cleaner ready to enter the suite
facing her. Behind the door of the room, the wall that protects him from the outer
world, we find Pink in a state of depressive and tormented introspection, revisiting his
past. On his bare wrist he wears a Mickey Mouse watch, a time image representing
some unsolved childhood conflict that has a bearing on the present situation.
the present
of the concert of Pink’s band in the United States (a frenzied mob at the concert venue
bringing down gates, shouting and running wild) and an imaginary re-elaboration of
Pink’s own encounter with the audience attending the concert (those American youths
listening in astonishment to a fascist-like Pink who orders them to look into the
alienating and oppressive reality hiding behind the ludic and stultifying vertigo of a
rock and roll concert).
The consequence of this is ‘the wall’: that is, discontent,
frustration, materialist fetishism, isolation, narcissistic introversion,
...