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Friedrich Nietzsche


Enviado por   •  26 de Noviembre de 2013  •  1.965 Palabras (8 Páginas)  •  198 Visitas

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Friedrich Nietzsche

First published Fri May 30, 1997; substantive revision Fri Apr 29, 2011

Friedrich Nietzsche (1844–1900) was a German philosopher of the late 19th century who challenged the foundations of Christianity and traditional morality. He was interested in the enhancement of individual and cultural health, and believed in life, creativity, power, and the realities of the world we live in, rather than those situated in a world beyond. Central to his philosophy is the idea of “life-affirmation,” which involves an honest questioning of all doctrines that drain life's expansive energies, however socially prevalent those views might be. Often referred to as one of the first existentialist philosophers along with Søren Kierkegaard (1813–1855), Nietzsche's revitalizing philosophy has inspired leading figures in all walks of cultural life, including dancers, poets, novelists, painters, psychologists, philosophers, sociologists and social revolutionaries.

1. Life: 1844–1900

2. Early Writings: 1872–1876

3. Middle-Period Writings: 1878-1882

4. Later-Period Writings: 1883-1887

5. Final Writings of 1888

6. Nietzsche's Unpublished Notebooks

7. Nietzsche's Influence Upon 20th Century Thought

Bibliography

A. Nietzsche's Writings

B. Books About Nietzsche

C. Collected Essays on Nietzsche

Other Internet Resources

Related Entries

1. Life: 1844–1900

In the small German village of Röcken bei Lützen, located in a rural farmland area southwest of Leipzig, Friedrich Wilhelm Nietzsche was born at approximately 10:00 a.m. on October 15, 1844. The date coincided with the 49th birthday of the Prussian King, Friedrich Wilhelm IV, after whom Nietzsche was named, and who had been responsible for Nietzsche's father's appointment as Röcken's town minister.

Nietzsche's uncle and grandfathers were also Lutheran ministers, and his paternal grandfather, Friedrich August Ludwig Nietzsche (1756–1826), was further distinguished as a Protestant scholar, one of whose books (1796) affirmed the “everlasting survival of Christianity.” Nietzsche's grandparents on both sides were from the Province of Saxony, with his paternal grandfather, paternal grandmother (Erdmuthe Dorothea Krause, 1778–1856), maternal grandfather (David Ernst Ohler, 1787–1859) and maternal grandmother (Johanna Elisabeth Wilhelmine Hahn, 1794–1876) having been born respectively in the small towns of Bibra (just south of Jena), Reichenbach (southeast of Jena), Zeitz (between Jena and Leipzig), and Wehlitz (just northwest of Leipzig).

When Nietzsche was nearly 5 years old, his father, Karl Ludwig Nietzsche (1813–1849) died from a brain ailment (July 30, 1849) and the death of Nietzsche's two-year-old brother, Ludwig Joseph, traumatically followed six months later (January 4, 1850). Having been living only yards away from Röcken's church in the house reserved for the pastor and his family, the Nietzsche family left their home soon after Karl Ludwig's death. They moved to nearby Naumburg an der Saale, where Nietzsche (called “Fritz” by his family) lived with his mother, Franziska (1826–1897), his grandmother, Erdmuthe, his father's two sisters, Auguste and Rosalie (d. 1855 and 1867, respectively), and his younger sister, Therese Elisabeth Alexandra (1846–1935).

From the ages of 14 to 19 (1858–1864), Nietzsche attended a first-rate boarding school, Schulpforta, located about 4km from his home in Naumburg, where he prepared for university studies. The school's rigid educational atmosphere was reflected in its long history as a former Cistercian monastery (1137–1540), with buildings that included a 12th century Romanesque chapel and a 13th century Gothic church. At Schulpforta — a school whose alumnae included the German Idealist philosopher, Johann Gottlieb Fichte (1762–1814) — Nietzsche met his lifelong acquaintance, Paul Deussen (1845–1919), who was confirmed at Nietzsche's side in 1861, and who was to become an Orientalist, historian of philosophy, and in 1911, the founder of the Schopenhauer Society. During his summers in Naumburg, Nietzsche led a small music and literature club named “Germania,” and became acquainted with Richard Wagner's music through the club's subscription to the Zeitschrift für Musik. The teenage Nietzsche also read the German romantic writings of Friedrich Hölderlin and Jean-Paul Richter, along with David Strauss's controversial and demythologizing Life of Jesus Critically Examined (Das Leben Jesu kritisch bearbeitet, 1848).

After graduating from Schulpforta, Nietzsche entered the University of Bonn in 1864 as a theology and philology student, and his interests soon gravitated more exclusively towards philology — a discipline which then centered upon the interpretation of classical and biblical texts. As a student of philology, Nietzsche attended lectures by Otto Jahn (1813–1869) and Friedrich Wilhelm Ritschl (1806–1876). Jahn was a biographer of Mozart who had studied at the University of Berlin under Karl Lachmann (1793–1851) — a philologist known both for his studies of the Roman philosopher, Lucretius (ca. 99–55 BCE), and for having developed the genealogical, or stemmatic, method in textual recension; Ritschl was a classics scholar whose work centered on the Roman comic poet, Plautus (254–184 BCE).

Inspired by Ritschl, and following him to the University of Leipzig in 1865 — an institution located closer to Nietzsche's hometown of Naumburg — Nietzsche quickly established his own academic reputation through his published essays on two 6th century BCE poets, Theognis and Simonides, as well as on Aristotle. In Leipzig, he developed a close friendship with Erwin Rohde (1845–1898), a fellow philology student and future philologist, with whom he would correspond extensively in later years. Momentous for Nietzsche in 1865 was his accidental discovery of Arthur Schopenhauer's The World as Will and Representation (1818) in a local bookstore. He was then 21. Schopenhauer's atheistic and turbulent vision of the world, in conjunction with his highest praise of music as an art form, captured Nietzsche's imagination, and the extent to which

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