Publishing history Zoro

Zorro (/ˈzɔːroʊ/; Spanish: [ˈθoro], American Spanish: [ˈsoro]) is a character created in 1919 by New York–based pulp writer Johnston McCulley. The character has been featured in numerous books, films, television series, and other media. Zorro (Spanish for "fox") is the secret identity of Don Diego de la Vega, a California nobleman living in Los Angeles during the era of Spanish rule.

The character has undergone changes through the years, but the typical image of him is a dashing black-clad masked outlaw who defends the people of the land against tyrannical officials and other villains. Not only is he too cunning and foxlike for the bumbling authorities to catch, but he also delights in publicly humiliating them.

Contents [hide]

1 Publishing history

2 Fictional character biography

3 Characteristics

4 Character motifs

5 Skills and resources

6 Inspirations

7 Appearances in media

7.1 Books

7.2 Films

7.2.1 American films

7.2.2 Mexican films

7.2.3 European films

7.2.4 Film serials

7.3 Television

7.4 Audio/Radio Dramas

7.5 Toys

7.6 Comics

7.7 Stage productions

7.8 Music

7.9 Computer and video games

7.10 Role-playing games

8 Copyright and trademark disputes

9 Legacy

10 References

11 External links

Publishing history[edit]Zorro debuted in McCulley's 1919 story "The Curse of Capistrano", serialized in five parts in the pulp magazine All-Story Weekly.[1] At the denouement, Zorro's true identity is revealed to all.

Douglas Fairbanks and Mary Pickford, on their honeymoon, selected the story as the inaugural picture for their new studio, United Artists, beginning the character's cinematic tradition. The story was adapted as the film The Mark of Zorro (1920), which was a commercial success. McCulley's story was rereleased by publisher Grosset & Dunlap under the same title, to tie in with the film.

In response to public demand fueled by the film, McCulley wrote more than sixty more Zorro stories, beginning in 1922. The last, "The Mask of Zorro" (not to be confused with the 1998 film), was published posthumously in 1959. These stories ignore Zorro's public revelation of his identity. McCulley died in 1958, just as the Disney-produced Zorro television show was becoming popular.

Fictional character biography[edit]

The Mark of Zorro, starring Douglas Fairbanks, the first Zorro film, was instrumental in the early success of the characterIn "The Curse of Capistrano", Don Diego Vega becomes Señor Zorro in the pueblo of Los Angeles in California "to avenge the helpless, to punish cruel politicians", and "to aid the oppressed." He is the title character, as he is dubbed the "Curse of Capistrano."

The story involves him romancing Lolita Pulido, an impoverished noblewoman. While Lolita is unimpressed with Diego, who pretends to be a passionless fop, she is attracted to the dashing Zorro. His rival is Captain Ramon. Other characters include Sgt. Pedro Gonzales, Zorro's enemy but Diego's friend; Zorro's deaf and mute servant Bernardo; his ally Fray (Friar) Felipe; his father Don Alejandro Vega; and a group of noblemen (caballeros) who at first hunt him but are won over to his cause.

In later stories, McCulley introduces characters such as pirates and Native Americans, some of whom know Zorro's identity.

In McCulley's later stories, Diego's surname became de la Vega. In fact, the writer was wildly inconsistent. The first magazine serial ended with the villain dead and Diego publicly exposed as Zorro, but in the sequel the villain was alive, and the next entry had the double identity still secret.

Several Zorro productions have expanded on the character's exploits. Many of the continuations feature a younger character taking up the mantle of Zorro.

Although McCulley's stories were set in Los Angeles during the era of Mexican rule (between 1821 and 1846), some movie adaptations of Zorro's story have placed him during the earlier Spanish era.

Characteristics[edit]In "The Curse of Capistrano", Diego is described as "unlike the other full-blooded youths of the times"; though proud as befitting his class (and seemingly uncaring about the lower classes), he shuns action, rarely wearing his sword except for fashion, and is indifferent to romance with women. This is, of course, a sham. This portrayal, with minor variations, is followed in most Zorro media.

A notable exception to this portrayal is Disney's Zorro (1957–59), where Diego, despite using the original facade early in the series, instead becomes a passionate and compassionate crusader for justice and simply masquerades as "the most inept swordsman in all of California." In this show, everyone knows Diego would love to do what Zorro does, but thinks he does not have the skill.

The Family Channel's Zorro (1990–1993) takes this concept further. While Diego pretends to be inept with a sword, the rest of his facade is actually exaggerating his real interests. Diego is actually well versed and interested in art, poetry, literature, and science. His facade is pretending to only be interested in these things and to have no interest in swordplay or action. Zorro also has a well-equipped laboratory in his hidden cave in this version of the story.

Character motifs[edit]The character's visual motif is typically a black costume with a flowing Spanish cape, a flat-brimmed black sombrero cordobés, and a black cowl sackcloth domino mask that covers the top of the head from eye level upwards. In his first appearance, he wears a cloak instead of a cape, and a black cloth veil mask with slits for eyes

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